“Haydn, for example, a sympathizer of his wealth, flexible in his principles. Not enough that he liked to sell the exclusive rights to his works twice: he reworked the instrumental music “The Seven Last Words of Our Savior Jesus Christ on the Cross” into nine string quartets to make it easier to remove them - which, however, are superior to the original in terms of spiritual concentration. He gave the blessing to the dull liturgical text, which a cathedral music director added to the work, and brought his own version of the oratorio onto the market. But in Harnoncourt's recording, the derivative is one of the strongest in the sacred catalog. The piano version by an unknown hand waved Haydn through at all, but I know of little more disturbing than the recording of the pianoforte zampano Ronald Brautigam.

It is my job to defend and even praise the transcription. Mahler's “Lied von der Erde”, reduced by the composer for piano and voices? Berlioz '“Fantastique” for piano solo as one of Liszt's countless transcriptions that include all nine Beethoven symphonies? Busoni's Bach transmissions? Zemlinsky's complete “Magic Flute” without words for piano four hands? Ravel's orchestration of “Pictures at an Exhibition”? Where does the original end, where does the new masterpiece begin? "

(Heinz Sichrowsky - A Brief History of Classical Arrangements)

Arrangements 1

Violin & Chamber Orchestra

Ludwig van Beethoven

  • Violin Concerto in D major

BAICH / FLETZBERGER

  • Imagination on Topics by Johann Strauss

Johannes Brahms

  • Hungarian dance No. 5

Max BREAK

  • Violin Concerto in G minor

Chr. W. GLUCK / Baich-Fletzberger

  • Fantasy on themes from "Don Juan"

Fritz KREISLER

  • Caprice Viennois
  • Love affliction
  • Love joy
  • Nice rosemary

Franz Liszt

  • Love dream number 3

Jules MASSENET

  • Meditation from "Thais"

Vittorio MONTI

  • Czardas

Niccolo PAGANNINI

  • La Campanella

POINCHIELLI / Baich-Fletzberger

  • Dance of the hours from "La Gioconda"

Sergei RACHMANINOV

  • Vocalise

Chamber orchestra

CACCINI (Vavilov)

  • Ave Maria (+ soprano)

Frederic CHOPIN

  • Variations op. 23 "La ci darem" (+ piano)

Franz LÉHAR

  • Women's march from "Merry Widow"

Franz Liszt

  • Hungarian Rhapsody No. 2

Wolfgang Amadeus Mozart

  • Ballet music (from "Idomeneo")
  • Overture "Le Nozze di Figaro"
  • Overture "The Drama Director"

Jacques OFENBACH

  • Barcarole (from "Hoffmann's Tales")

Amilcare POINCHIELLI

  • Dance of the hours from "La Gioconda"

Nikolaus Emil from REZNICEK

  • Overture to "Donna Diana"

Camille SAINT-SAËNS

  • Bacchanal from "Samson"

Need for SMETANA

  • Dance of the Comedians (from "The Bartered Bride")

Franz von SUPPÉ

  • Overture "Light Cavalry"

Carl Maria WEBER

  • Invitation to dance

Violin & piano

Own compositions

Imagination on Topics by Johann Strauss

Scenes and love death from "Tristan and Isolde"

Arrangements

Gluck, Chr. W. Suite from "Don Juan"

Liszt, Franz Hungarian Rhapsody No.2

Liszt, Franz Liebestraum No.3

Mussorgsky, Modest Night on Bald Mountain

Poinchielli, Amilcare Dance of the Hours

Rimsky-Korsakov, Nicolai Sheherzade

Smetana, Bederich Dance of the Comedians

Strauss, Richard Tanz der Schneider from "The Citizen as a Nobleman"

Tschaikowsky, Peter Ilitsch Aria of Lenski

Tschaikowsky, Peter Ilitsch Nutcracker Suite

Wagner, Richard Isolde's love death